EITAM 5 – Program

EITAM 5 program below: 

The Fifth International Meeting on Music Theory and Analysis, EITAM5, whose title is “Contexts, means and transversalities in the analytical practices of music” is a result of the cooperation between the post-graduation programs in music (PPGMUS) of UNICAMP, USP, UNESP and UFMG. The main goal of the meeting is to promote the research in theory and music analysis between the academic community.

In this edition, we focus on the intersections of different knowledges in music analysis and music theory. We aims to promote the transference of means, questions and arguments from one area to another.

An open dialogue between the elements of the available research corpus leads to a re-signification of the consolidated knowledge. Aware of this, the EITAM5 expects that:

• Strategies constructed from computer-assisted analysis to interact with historical research methods in analysis of primary sources;
• Research on voice-leading can dialogue with techniques that take into account multimodal environments;
• Baroque improvisation can be related to popular and free improvisation; 
• The transference of analytical methods keep creation alive.

The Meeting will be held on November 5-7, 2019. There will be 5 conferences, 3 of them delivered by foreign guests and 2 by Brazilian guests; round tables formed by 3 important researchers; and oral communications (submissions will be reviewed in a double-blind process).

The proposals for oral presentations and posters should be submitted in the form of abstract. Approved submissions will be published in the Annals of EITAM5. At the end of the Meeting, the Scientific Committee will select the best 10 papers for a publication in a special issue of the Revista Música – USP.

We hope that our analytical intuition and musical creativity are in tune with our sense of innovation and openness to change!

Adriana Lopes Moreira

Scientific Coordinator of EITAM5

EITAM 5 Program

Monday 4th November

EITAM Study Day – “Studying/Analyzing Improvised Music”, see separate program here

Tuesday 5th November

8h50-9h45:       Registration and coffee

9h45-10h10:     Opening ceremony

10h10-11h10: “Transversal” table/panel: Analizing/Studing improvised music

11h15-12h45    Keynote lecture: Prof. Dr. Damian Rodrigues Kees
                           (Universidad Nacional del Litoral Argentina)
                           Cuerpo y Sonido. Una revisita al gesto escénico en músicas recientes.

12h45-14h00    Lunch 

14h00-15h00   “Transversal” table/panel: A análise como construção/reconstrução das suas representações

15h00-15h10    Book launch,
15:10-15:40 Coffee and poster presentation

15h40-17h20    Communications

18h30-19h30    Opening concert:Works by Dámian Rodriguês Kess with the composer’s participation and with the UNICAMP Percussion Group (GRUPU).

Wednesday 6th November

8h30-10h00      Communications

10h15-11h45    Keynote lecture: Prof. Dr. Ian Pace
                           (City University London)
                           In Defense of AIP (Analytically-Informed Performance): The Performance-Analysis Dialectic Revisited.

11h45-12h45    “Transversal” table/panel: O “Modelo da fala” na teoria e análise musical

12h45-13h50    Lunch 

13h50-15h20    Keynote lecture: Prof Dr. Jean Marc Chouvel
                           (University Paris-Sorbonne, France – IReMus)
                           Musical Analysis and the Question of Representation

15h20-15h50    Coffee and poster presentation

15h50-17h40    Piano Recital (Auditórium do Instituto de Artes)

                        Prof. Dr.. Ian Pace, piano.

19h                  Get-together dinner. Valise de Cronópio Restaurant. Site

Thursday 7th November

8h30-10h00      Communications

10h10-11h10    Round table/panel: Legado pedagógico e teórico da Rítmica de J. E. Gramani

11h15-12h45    Keynote lecture: Profa. Dra. Denise Hortencia Lopes Garcia
                            (UNICAMP)
                            A análise e a composição: o que busca um compositor quando analisa uma obra

12h45-14h00    Lunch

14h00-15h00    Round-table/panel: The implications/application of the computer in music analysis and composition

15h00-15h40    Coffee and poster presentation

15h40-17h10    Keynote lecture: Pq. Dr. Clément Canonne                                          
                           IRCAM-CNRS, França
                           A Continuum of Improvisational Practices? Some More Thoughts on Improvisation

15h00-18h00  Piano Masterclass
                          Prof. Dr. Ian Pace (with students of Profs. Drs. Mauricy Martin e Alexandre Zamith)